For the first 21-22 years of my life, I liked movies in the same way that 98% of the population likes movies. There were certain blockbusters that I’d make sure to see in theaters on opening weekend, I’d try to catch a few of the Oscars contenders in theaters too, and I’d watch The Shawshank Redemption on TNT a few times a year.
Without sounding melodramatic or self-serious or whatever, movies began to take on more importance in my life when I graduated from college in 2015. Like most fresh postgrads, I wasn’t fully prepared to live alone without any provided structure, and this was compounded with a job I didn’t like and a home with four roommates I hadn’t previously known. I wasn’t struggling – seriously, no need to retroactively check in. I was just mostly bored and feeling creatively weighed down at such a young age.
Movies – with major ups to MoviePass and AMC Stubs – became an outlet to me in so many ways, especially as someone who doesn’t read books and doesn’t understand traditional art in any meaningful way. I started going to theaters on a weekly basis. I sought out movies with small budgets and movies that I normally would not have identified as my type. I started reading and listening to criticism from different perspectives and tried my best to pay it forward with criticism of my own. Each theater experience for me became simultaneously exciting and challenging and therapeutic, and looking back on my progression as a moviegoer from 2015 to 2020 is something I am legitimately proud of.
I tell you all of this because it prefaces a blog that you can find 1,000 variations of elsewhere on the Internet, yet it’s a blog that I am pumped to share. All 51 of these films, and the 21 Honorable Mentions, received an A or A+ grade by The PJ Scale ™. (This list started at 50 and then I saw a movie that cracked the list as I was writing, and I didn’t feel like deleting something I already wrote.)
Important caveats are that I missed a lot of movies that you might find on other similar lists, and my list is also skewed towards the latter half of the decade since I probably saw 5x as many movies during that time. So here it is, with a quick blurb for each selection and some favorite scenes along the way. (Probably goes without saying, but MAJOR spoiler potential.)
I SUCK FOR MISSING (2010-2018): 12 Years a Slave, 50/50, Black Swan, Contagion, Easy A, End of Watch, Frances Ha, Good Time, The Hate U Give, Her, How To Train Your Dragon Franchise, Inside Llewyn Davis, It, It Follows, Kick-Ass, John Wick Franchise, The Lobster, Magic Mike, Magic Mike XXL, The Master, Molly’s Game, Rush, Selma, Skyfall, The Town, The Tree of Life, Under the Skin, Warrior
SOON TO SEE (2019): Booksmart, Dark Waters, High Life, Jojo Rabbit, The Lighthouse, Little Women, Rocketman
51. CAPTAIN AMERICA: THE WINTER SOLIDER (2014)
Directed by The Russo Brothers
A Soviet-era spy movie that comes out of NOWHERE, The Winter Soldier changed how we thought about Cap and the Marvel Cinematic Universe altogether. Keep in mind; this movie was released immediately following Iron Man 3 and Thor: The Dark World in the MCU. It had no business being this cool.
50. KNIVES OUT (2019)
Directed by Rian Johnson
Nothing about this whodunit fits the typical structure of the genre. You find out who committed the murder and how it happened in the first act. The A-listers are all in supporting roles around newcomer Ana de Armas. And yet, it totally works. It has more to say than you might expect – or care to hear depending on your Rian Johnson thoughts – but its calling card is being one of the most flat-out fun movies of the decade.
49. FRUITVALE STATION (2013)
Directed by Ryan Coogler
The absolutely GUTWRENCHING true story of the 2009 murder of Oscar Grant, Ryan Coogler’s feature debut gets a performance out of Michael B. Jordan that he still hasn’t touched since. This was the first collaboration between Coogler and Jordan – and all three are included in this blog in some capacity – and it remains the most emotionally affecting of the bunch.
48. CRAZY, STUPID, LOVE (2011)
Directed by Glenn Ficarra and John Requa
There isn’t another movie on this list that has more working against it. Robbie is one of the worst characters of this decade in film, the storyline with the babysitter was immediately problematic, and the movie asks you to suspend A LOT of disbelief for how much Steve Carell pulls. But I can’t deny how much I love this movie. The twists are amazing, and every Gosling/Stone scene is rom-com gold. DAVID LINDHAGEN!
47. THREE BILLBOARDS OUTSIDE EBBING, MISSOURI (2017)
Directed by Martin McDonagh
Shocking, controversial, and somehow still hilarious, Three Billboards is an absolute tornado of an experience. A lot of people were turned off by it, but I was sure as hell not one of them. It constantly verges on falling apart with its countless “what the hell did I just watch” moments, but Frances McDormand and Sam Rockwell keep it on track with their Oscar-winning performances.
46. TRUE GRIT (2010)
Directed by The Coen Brothers
A straightforward Western remake is antithetical to almost everything about The Coen Brothers, but it comes through so clearly watching True Grit how much of a blast they must have had making it. With a starmaking performance from Hailee Steinfeld and Matt Damon at perhaps his most outrageously fun, we are all better off for this movie existing.
45. 1917 (2019)
Directed by Sam Mendes
The first thing anyone wants to talk about with 1917 is the one-long-shot approach, and for good reason. It takes you right inside the horror of World War 1, and it might become the defining work of the greatest cinematographer of a generation, Roger Deakins. But the camerawork is almost too good, because it leaves the screenplay and lead performances as completely underrated. Although this movie intentionally feels like a sprint, there are so many amazing things going on within it.
44. MANCHESTER BY THE SEA (2016)
Directed by Kenneth Lonergan
Manchester By The Sea often comes up in conversation for how goddamn sad it is, and that’s valid. It’s devastating. But leaving it at that shortchanges this screenplay, of which you can count on one hand how many might have topped it this decade. And then there is Casey Affleck’s performance in the lead…good lord. I almost never think to revisit this movie, but that doesn’t make it any less of a masterpiece.
43. THE OTHER GUYS (2010)
Directed by Adam McKay
The Other Guys is oft quoted, from “Dirty Mike and the Boys” to the TLC references. But I still feel like it doesn’t have the legacy it deserves? I mean, Ferrell and Wahlberg pair PERFECTLY, and killing off The Rock and Samuel L. Jackson in the first 10 minutes remains one of the funniest things ever. Most people would tell me I’m crazy for saying this is my favorite McKay/Ferrell vehicle…but I think it is?
42. ARGO (2012)
Directed by Ben Affleck
Argo strangely feels like it happened 20 years ago, and it’s even stranger that a movie like this won Best Picture. Still, Argo-fuck yourself if you’re a hater. You know how it’s gonna end the whole time, but that doesn’t make the final act even a little bit less thrilling. Also, thanks again Canada!
41. STEVE JOBS (2015)
Directed by Danny Boyle
A criminally overlooked movie, thanks in part to bombing at the box office and the shitty Jobs biopic starring Ashton Kutcher that came out right beforehand. I love the pace, look, and dialogue of this movie – even if it comes dangerously close to Sorkin overload. But more than anything, Michael Fassbander CRUSHES in the title role. He got hosed at the Oscars with Leo getting his lifetime achievement award that year, and the really sad part is that Fassbender’s career today probably looks a lot different for the better had he won.
40. THE DISASTER ARTIST (2017)
Directed by James Franco
The really good movie about the really bad movie, James Franco pulled off something amazing here. You can convince me that it’s the funniest movie of the decade, but even without any jokes The Disaster Artist would be moving. In retrospect the Oscar buzz surrounding Franco’s performance was silly, and I wish they had gone a bit deeper into the dark side of being involved in the production of The Room. Still, I cackled, cried, and cheered in these 103 minutes.
39. THE DARK KNIGHT RISES (2012)
Directed by Christopher Nolan
If you had polled me midway through the decade, I would have told you that The Dark Knight Rises was a lock to finish in the Top 10 for this blog. It somehow lived up to the hype, Bane was instantly iconic, and it spurred a real debate over whether it was even better than The Dark Knight. Now you should be embarrassed to have that debate in public, and I’d agree that TDKR hasn’t aged all too well. But the fact that that debate actually did happen speaks to how awesome this movie was and still is.
38. SILVER LININGS PLAYBOOK (2012)
Directed by David O. Russell
I’m not sure how well Silver Linings Playbook would be received if it were released in 2019 instead of 2012, but that’s not how it went, so I’ll disregard that hypothetical. Bradley Cooper became more than the guy from The Hangover, Jennifer Lawrence immediately became a star (and do not pretend like she wasn’t AWESOME in this), and De Niro hit a homer in a bold role. David O. Russell has had his fair share of whiffs since Silver Linings, but he really connected with this contradiction of a movie. It’s a rom-com that’s also a sports movie, and you’re laughing the whole time while the whole time you feel like you aren’t supposed to be laughing.
37. THE BIG SICK (2017)
Directed by Michael Showalter
Kumail Nanjiani’s passion project could not have been released at a more perfect time. Hysterical and important, The Big Sick was a sleeper hit behind its Oscar-nominated screenplay and insanely good performances – especially from Holly Hunter and Ray Romano. While I hope that everyone eventually sees this movie, its better legacy would be as a trailblazer for more original projects like it.
36. BLINDSPOTTING (2018)
Directed by Carlos Lopez Estrada
Similar in nature to The Big Sick, some of my favorite movies are the ones where it’s painfully obvious that the people involved have been fighting for years to bring it to the big screen. And whew boy, that is the case for Blindspotting. It’s not the first movie to tackle police violence or gentrification, but it has such a genuine style that I can’t really find a comparison. Just take my word for it.
35. THE GRAND BUDAPEST HOTEL (2014)
Directed by Wes Anderson
I am by NO means a Wes Anderson fan, so The Grand Budapest Hotel’s placement on this list should tell you all you need to know about it. Visually stunning, actually funny, and anchored by an all-time turn from Ralph Fiennes, I can’t think of another movie from this decade that surprised me more with its sheer entertainment.
34. DRIVE (2011)
Directed by Nicolas Winding Refn
There might be some detractors out there now that Drive is approaching its tenth birthday, but I don’t care what they have to say. Drive is still so fucking cool. Almost no modern films look or sound better, and you know it right from the opening credits. The 2010s flat-out belonged to Ryan Gosling, and this still might be his most iconic performance even though he barely speaks.
33. TOY STORY 4 (2019)
Directed by Josh Cooley
This franchise, man. EVERYONE, myself included, had agreed that Toy Story 3 (more on that later) was the perfect culmination to this saga. It was more than fair to have concern over whether Pixar was going to milk another good-not-great sequel for a billion dollars like Monsters University and Finding Dory. But then, through a villainous 1950s pullstring doll and a spork having an existential crisis, you realize that they never actually wrapped up Woody and Buzz’s mutual arc? Toy Story 4 certainly didn’t flop, but I think time will be extremely kind to its legacy.
32. MAD MAX: FURY ROAD (2015)
Directed by George Miller
I’ll admit it: I didn’t get the hype when I saw Fury Road in theaters. Maybe I was just shell-shocked, but it took until about my fifth viewing on HBO to realize what George Miller pulled off. There are multiple action scenes that are among the best ever put to the big screen, and you can feel the realness behind each stunt and crash and explosion. I maintain that Tom Hardy is bad in this movie, but who cares? Charlize Theron’s Imperator Furiosa is one of the best characters of the decade, and I’m literally out of breath by the time they decide to go back on the road.
31. PHANTOM THREAD (2017)
Directed by Paul Thomas Anderson
My name is PJ, and I freaking love this movie about a 1950s idiosyncratic dressmaker and his muse. I hesitate to divulge any plot points or one-liners because they all hit so hard upon first watch. It’s Paul Thomas Anderson and Daniel Day-Lewis, so you really shouldn’t be too surprised, but seriously go watch Phantom Thread.
30. I, TONYA (2017)
Directed by Craig Gillespie
I rolled my eyes at the “Goodfellas on ice” marketing behind this movie, but that’s actually a pretty perfect description of I,Tonya! With a script that completely runs with the insanity of the whole situation and Margot Robbie and Allison Janney absolutely going for it, I, Tonya is almost impossibly fun. Sure, you might find yourself sympathizing a little too much for Harding at times, but there is enough to remind you that she’s a liar and overall shitty person. But damn, she could skate!
29. DJANGO UNCHAINED (2012)
Directed by Quentin Tarantino
A movie about slavery that is…cathartic and cool? Only Tarantino. I wouldn’t say that Django Unchained is a perfect movie, but it very well might be perfectly acted. Everyone involved is hitting the right notes, nobody more than Mr. DiCaprio in a rare supporting role. It’s a performance that isn’t any less jaw-dropping over seven years later. Honestly, it’s probably my favorite of his filmography, and that alone justifies a high ranking.
28. MOONLIGHT (2016)
Directed by Barry Jenkins
Bar none, there is not another movie on this list that rivals Moonlight in its pure beauty. Barry Jenkins grants you VIP access to Chiron’s heartbreaking self-discovery through three separate acts in his life. Moonlight is MUCH more than just an educational look into the life of an underrepresented protagonist. For my money, the scene above with Mahershala Ali (in a Hall of Fame performance) is the single best scene of the decade.
27a. PADDINGTON (2014)
27b. PADDINGTON 2 (2017)
Directed by Paul King
These movies are TREASURES. I love that polite bear from Darkest Peru more than anything. These are both family films to their cores, but the Paddington movies have transcended age because of their undeniable wholesomeness. I think I prefer the original while I can acknowledge that the sequel is probably a bit better, but I’m cheating here because picking against either of them would break my heart.
26. EX MACHINA (2014)
Directed by Alex Garland
More than any other movie that I can remember, I sat in my bed in silence for a LONG time after watching Ex Machina for the first time. It is indescribably unsettling, and I mean that in the best way possible. The movie looks and sounds incredible, and it will scare the ever-living shit out of you in non-traditional ways. A sharp screenplay from Alex Garland and a crazy good performance from Alicia Vikander elevate Ex Machina far beyond its basic questions about mankind.
25. THE AVENGERS (2012)
Directed by Joss Whedon
There have been some truly great entries among the 23 movies in the Marvel Cinematic Universe, the project that probably defines this decade in film more than anything. And yet, it is the entry that kickstarted the massive scale of these movies that we’ve come to love that remains the best of the MCU. You have to go back to 2012 logic to properly appreciate The Avengers. Marvel movies weren’t THAT popular yet, and people REALLY didn’t think all of these characters on screen at the same time would work. Um, it did, on its way to becoming one of only three movies released before 2015 to crack $1.5 billion at the box office.
24. THIS IS THE END (2013)
Directed by Seth Rogen and Evan Goldberg
This trailer blew up the Internet, and deservedly so behind a premise that is truly one of the most inventive of the decade. People are STILL quoting this movie, often without realizing it. (We were collectively not saying “tight” a lot before this came out.) You get cokehead Michael Cera, pretentious Jonah Hill, axe-wielding Emma Watson…the list keeps going. It’s the best pure comedy of the 2010s to me.
23. THE NICE GUYS (2016)
Directed by Shane Black
The Nice Guys is the type of movie that rarely gets made anymore, which is a shame because it’s my favorite kind of movie. Shane Black was given $50 million by Warner Bros. to bring his script – which fits into three separate genres according to Wikipedia – to life behind Russell Crowe and Gos-God in the leads. Unfortunately, I don’t see more movies like it being made in the future, since The Nice Guys didn’t land at the box office or win awards. But it is fucking hilarious, thrilling, and has way more heart than you’d suspect.
22. ONCE UPON A TIME IN HOLLYWOOD (2019)
Directed by Quentin Tarantino
I had not for the life of me been able to pick which of Tarantino’s films I liked more between Django and Once Upon a Time. But I’m giving the more recent of the two the nod because it has already started to age incredibly well. I really liked Once Upon a Time upon my first viewing a few months ago in theaters, but I have revered this movie ever since my first rewatch. EVERY scene is worth searching on YouTube. And Brad Pitt…just unfairly cool.
21. HELL OR HIGH WATER (2016)
Directed by David Mackenzie
A couple things are certain when it comes to Hell or High Water. This would be a ton of people’s single favorite movie if it gains the exposure it deserves, and if not for No Country For Old Men it might be the greatest neo-western of all time. Extremely badass with an extremely important social statement to boot, this movie is ferocious from start to finish. ESPECIALLY to finish…good lord, Ben Foster.
20. HARRY POTTER AND THE DEATHLY HALLOWS: PART 2 (2011)
Directed by David Yates
It would be disingenuous to suggest that Deathly Hallows was split up into two parts purely for cinematic reasons…but man it worked out for the best. Part 2 is a rush from the get-go, loaded with action and awesome visuals. But there is never any distraction from the emotional stakes of the culmination of this pop culture phenomenon. With the amount of franchises that have botched their landings in recent years, Harry Potter going out with its best entry is only more magical in hindsight.
19. EVERYBODY WANTS SOME!! (2016)
Directed by Richard Linklater
A near lock to become a cult classic, Everybody Wants Some!! is Richard Linklater’s “spiritual sequel” to Dazed and Confused that largely went unseen. But that description is accurate, because this movie is truly just as good. A hangout movie with a cast that you genuinely would want to hangout with, there wasn’t a movie released this decade that I have more fun revisiting.
18. CREED (2015)
Directed by Ryan Coogler
Maybe the most pleasant surprise of the decade, Creed was released on the heels of multiple mediocre Rocky movies and went on to become one of the greatest sports movies of all time in the process. Ryan Coogler rejuvenated this franchise with amazing boxing scenes and a brilliant story that allowed Sylvester Stallone to be in the movie as way more than just a cameo. It’s a bummer that Coogler was one-and-done in the franchise, but at least we can revisit Creed and still feel those thrills we got the first time.
17. GONE GIRL (2014)
Directed by David Fincher
The movie that I just assume is better than the book, Gone Girl is a popcorn thriller that still gets two thumbs up from even the most pretentious Fincher fanatic. Rosamund Pike is obviously and rightfully the star here – she should have won the Oscar. But Affleck is AWESOME in this movie too! It’s troubling, scary, and will sure as hell mess with your mind. But it’s still so cool.
16. THE EDGE OF SEVENTEEN (2016)
Directed by Kelly Fremon Craig
The Edge of Seventeen is my personal pick as the most underrated movie of the decade, and I say that as someone who was late to discovering it. But ever since my first time with it, I’ve watched it again as much as any other movie. I’m of the belief that Hailee Steinfeld should be the most famous person on the planet, and if you think that’s crazy then watch her performance in this and get back to me. Affecting and funny for any viewer at any age, The Edge of Seventeen belongs in that Mean Girls tier of coming-of-age films.
15. SPOTLIGHT (2015)
Directed by Tom McCarthy
Normally a biographical newspaper movie is one that comes off as Oscar-bait, but Spotlight is legitimately gripping. Perfectly written, acted, and directed, everyone involved does their part to present you the facts without any greater agenda. It’s one of the more disturbing movies of the decade, yet one that’s strangely rewatchable. The silence that hit my theater during the final credits was my most chilling movie moment of the decade, maybe ever.
14. MONEYBALL (2011)
Directed by Bennett Miller
I’ll admit: I didn’t take to Moneyball back when it came out, and yes that is entirely because I am a baseball snob. Although I do still think it’s a bit weird how the movie makes zero mention of the A’s having the MVP and Cy Young winner on their team, I can look past that now because the rest of Moneyball is a cinematic achievement. Scouting meetings and trade negotiations for relievers play out like gunfights, and Brad Pitt has never been better. I can proudly admit that this story makes me emotional just thinking about it. It revolutionized sports, and all business to a degree, with the simple concept of playing to human beings’ strengths. How can you not be romantic about baseball?
13. MISSION: IMPOSSIBLE – FALLOUT (2018)
Directed by Christopher McQuarrie
Perhaps my most rewarding film experience of the decade was binging the first five Mission: Impossible movies in advance of Fallout hitting theaters. I figured it would be good with its dope trailer and strong early buzz. I didn’t realize that I’d be walking into one of the greatest action movies ever made. You get Henry Cavill as a villain. You get the return of Rebecca Ferguson as Ilsa Faust. You get the club bathroom fight. You get the HALO jump. I hesitate to say Tom Cruise’s daredevil approach to these movies is worth it because I’m afraid he’s going to kill himself in one of these stunts, but damn they are spectacular.
12. THE BIG SHORT (2015)
Directed by Adam McKay
Simultaneously one of the best comedies and horror movies of the decade, The Big Short managed to make us laugh while successfully simplifying the events that led to the financial crisis. The invention behind the storytelling and editing of this movie will likely be lost on people as time goes on, but The Big Short was a game changer. Just think about it: the most historically accurate movie about the financial crisis is the same one with Margot Robbie (as herself) in a bathtub.
11. WHIPLASH (2014)
Directed by Damien Chazelle
A movie about a jazz drummer is also one of the most intense movies of the decade. Whiplash is about letting nothing get in the way of your dream, and it is exhilarating to watch it all unfold. J.K. Simmons puts forward one of the truly iconic performances…of the decade? Of all time? It’s that elite. Whiplash has a perfect ending and only runs for 107 minutes, but it could have gone on forever and I’d be satisfied.
10. BIRDMAN (2014)
Directed by Alejandro G. Iñárritu
The most dazzling movie of the decade, Birdman is a goddamn trip. Filmed to make it look like the entire movie is one shot, this is a breakthrough from a cinematography standpoint. And that score with the drums! Holy shit! Birdman is more than its aesthetics and technicality though. You find yourself desperately rooting for Michael Keaton’s Riggan Thomson, who really could have won an Oscar for this fairly meta performance as a washed up superhero actor. It did win Best Picture, one of the few times this decade the Academy made a good call there.
9. LA LA LAND (2016)
Directed by Damien Chazelle
It was really a bummer that La La Land got swept up in the Best Picture race against Moonlight, because so many people still hold a grudge against it despite it being a masterpiece. It’s inspiring, funny, beautifully shot, and has songs that you’ll listen to in your free time. But none of those things are what separates it for me. Emma Stone earned her Oscar too, but that’s not it either. It’s the ending, which is long and unexpected and not “happy,” but it is PERFECT. My favorite ending of the decade.
8. INCEPTION (2010)
Directed by Christopher Nolan
I’m not ranking Inception this high to get your take on whether or not the top is going to stop spinning at the end of the movie. I’m ranking it this high because it’s one of the most inventive movies I’ve ever seen, from visual and musical and storytelling standpoints. The movie is almost ten years old now and it still feels like you’re in an experiment when you’re watching it. I don’t side with Chris Nolan critics who roll their eyes at how heady his movies can be, although I do at least understand it in a case like Interstellar. I don’t think that argument applies to Inception whatsoever though. Whenever the characters go deeper into another dream, the deeper I get sucked into the movie.
7. PARASITE (2019)
Directed by Bong Joon-ho
Believe the hype. Parasite is stunning. It’s addicting too, as I’ve already seen it twice when there are so many 2019 movies still out there that I need to see. It’s metaphoric in a fairly simple way, but it is so brilliant and clever with its twists, dialogue, visuals, etc. Even without the subtitles, I think I could have understood and been rocked by what transpires in the movie, which hopefully speaks to what Bong Joon-ho pulled off here.
6. SICARIO (2015)
Directed by Denis Villeneuve
Sicario is somehow that movie that I wouldn’t wish on anyone but also the movie that I don’t think I can be friends with you if you haven’t seen it. It’s impeccable, but holy hell is it an uncomfortable watch. It’s script, which is extremely gritty but also ambitious with its content, put Taylor Sheridan on the map. It’s an absolutely loaded cast with Emily Blunt, Benecio del Toro, Josh Brolin and Daniel Kaluuya, yet you don’t really care what any of their characters’ names are. You’re too dialed in to care. It’s maybe the most intense movie I’ve ever seen. I’ll never forget the feeling of being stapled to my theater chair as the final credits rolled.
5. TOY STORY 3 (2010)
Directed by Lee Unkrich
The most emotionally resonant movie of the decade, of course, was the one that introduced us to characters such as Lots-O’-Huggin’ Bear and Mr. Pricklepants. Toy Story 3 WRECKED everyone back in 2010, with themes of loss and goodbyes cooked in with the nostalgia of seeing these beloved characters on the big screen for the first time since the 90s. Think about how unlikely of a success story this was. How often is the decade-too-late sequel even a little bit good? And to become arguably the best Pixar movie ever made? Miracle.
4. BOYHOOD (2014)
Directed by Richard Linklater
I’m sure other directors have had the idea to film a movie in pieces over an elongated period of time, but thank goodness we got Richard Linklater as the one who actually pulled it off. As intimate as a movie possibly can be, Boyhood is a masterpiece. Plain and simple. Even though Boyhood operates essentially without a plot, it’s the most relatable movie that I’ve experienced, and I know I say that as a white kid who grew up in suburban New Jersey. But I think people from all different walks of life feel this way about Boyhood, and that’s kinda its point.
3. ARRIVAL (2016)
Directed by Denis Villeneuve
If you unfortunately missed Arrival when it came out, let me give you the brief synopsis: extraterrestrial seven-limbed creatures called heptapods have arrived on Earth in giant bean-like vessels. Interested?! I get if that description or sci-fi movies in general don’t do it for you, but Arrival also happens to offer beautiful and necessary insight into humanity and how we talk to one another. Denis Villeneuve’s work here had me itching to give him a standing ovation from the movie theater. The movie looks and sounds UNREAL, and it features a twist that is so captivating and heartbreaking that you don’t even realize is critical to the outcome of the movie until it hits you over the head and heart.
2. GET OUT (2017)
Directed by Jordan Peele
Quick preface: the final two movies on my list were my two 10/10 grades of the decade. To hit that perfect score, I’m looking for a movie that is a game-changer, culturally significant, stylish, thrilling, funny, and a time capsule of its era. That’s all! But somehow, Get Out meets those standards. Honestly I have no interest in writing about the importance of Get Out; I’ll let its “I would have voted for Obama a third time if I could” line speak for itself. But what does interest me is the feeling that all moviegoers crave: the feeling midway through a movie that you are watching something truly special. That feeling coming on a $4.5 million budget from one of the Key & Peele guys? One of the greatest Hollywood achievements EVER.
1. THE SOCIAL NETWORK (2010)
Directed by David Fincher
The Social Network is the movie of the decade for all of the reasons that I just listed above for Get Out. But there are even more factors in play here. The onset and growth of the Internet is one of the few paradigm shifts of the past century or so, and The Social Network is the best Internet movie ever made. In that sense, it’s All the President’s Men for computer nerds. But it’s entirely different in another sense, because the protagonist of this movie is no hero. In fact, part of what makes The Social Network so fascinating is how it’s aging into more and more into a villain origin story by the day. Remember when people thought that Fincher, Sorkin, and Jesse Eisenberg were too harsh in their portrayal of Zuck? While now we all wish they had actually gone in harder, it’s still astonishing how much those three truly understood this landscape and its perils all the way back in 2010. Nothing defines the 2010s more than the rise and fall of Facebook. The Social Network shows you the rise, but dig deeper and you can see that it’s also previewing the fall.
Dallas Buyers Club (2013)
Dawn of the Planet of the Apes (2014)
The Imitation Game (2014)
Top Five (2014)
The Martian (2015)
Mission: Impossible – Rogue Nation (2015)
Star Wars: Episode VII – The Force Awakens (2015)
Popstar: Never Stop Never Stopping (2016)
Lady Bird (2017)
Avengers: Infinity War (2018)
Black Panther (2018)
Crazy Rich Asians (2018)
First Man (2018)
First Reformed (2018)
Marriage Story (2019)